Yesterday, the Senate voted (61 to 37) to keep a controversial provision of the National Defense Authorization Act (NDAA) that would allow the military to detain terrorism suspects (even U.S. citizens) and hold them indefinitely without trial.
As written, without ever being formally charged, an alleged terrorism suspect may only get one hearing from the military before being locked up for life.
What happened to due-process?
Congress is essentially authorizing the indefinite military imprisonment of U.S. citizens, without charging them, much like we did during WWII. Do we ever learn from our mistakes?
The President must exercise his power to veto this act. Call or email him and let him know what you think about this provision of the NDAA.
Wednesday, November 30, 2011
TEDxSF - Louie Schwartzberg - Gratitude
Louie Schwartzberg is an award-winning cinematographer, director, and producer whose notable career spans more than three decades providing breathtaking imagery for feature films, television shows, documentaries and commercials.
This piece includes his short film on Gratitude and Happiness. Brother David Steindl's spoken words, Gary Malkin's musical compositions and Louie's cinematography make this a stunningly beautiful piece, reminding us of the precious gift of life, and the beauty all around us.
As a visual artist, Louie has created some of the most iconic and memorable film moments of our time. He is an innovator in the world of time-lapse, nature, aerial and "slice-of-life" photography - the only cinematographer in the world who has literally been shooting 24 hours a day, 7 days a week continuously for more than 30 years.
Louie was recognized as one of the top 70 Cinematographers for the On Film Kodak Salute Series. He is a member of the Directors Guild of America and the Academy of Motion Pictures Arts and Sciences.
Louie is credited by many with pioneering the contemporary stock footage industry by founding Energy Film Library, a global company with a network of 12 foreign offices, which was acquired by Getty Images in 1997. Motion picture clients of his cinematic artistry include Sex in the City, The Bourne Ultimatum, Die Hard 4, Syriana, Crash, Men in Black and classics such as American Beauty, Koyaanisqatsi and E.T. among others.
Louie went on to found BlackLight Films, a creative production company specializing in producing original theatrical feature, large format films, HD and TV programming.
In 2004, BlackLight Films completed production of the theatrical feature film, America's Heart &Soul, distributed theatrically by Walt Disney Pictures. In 2006, BlackLight Films completed a series of HD shorts, Louie Films, for the launch of Buena Vista Home Entertainment's Blu-Ray DVD releases. In 2007, the company produced a 1-hour special, Chasing the Light, which aired nationally on PBS.
Past projects include the 35mm film Seasons of the Vine for Disney's California Adventure Theme Park and a 26-half hour series, America!, for The Hallmark Channel.
Louie has won two Clio Awards for Best Environmental Broadcast Spot, an Emmy nomination for Best Cinematography for the Discovery Channel Special, Oceans of Air, and the Heartland Film Festival's Truly Moving Picture Award for Walt Disney Pictures' feature film release America's Heart & Soul.
Louie completed production on a feature length nature documentary, Wings of Life, to be theatrically released worldwide, under Walt Disney Pictures' new production banner, Disneynature. The film was released in France (March 2011) under the title Pollen and won the Roscar Award for Best Cinematography at the 2011 Wild Talk Africa Film Festival.
Louie spoke at the TED 2011 conference in Long Beach, CA and has been a regular presenter at the annual Bioneers Conference in San Francisco. Currently, Louie is in production with National Geographic to produce Hidden Worlds, a 3D Imax film.
This piece includes his short film on Gratitude and Happiness. Brother David Steindl's spoken words, Gary Malkin's musical compositions and Louie's cinematography make this a stunningly beautiful piece, reminding us of the precious gift of life, and the beauty all around us.
As a visual artist, Louie has created some of the most iconic and memorable film moments of our time. He is an innovator in the world of time-lapse, nature, aerial and "slice-of-life" photography - the only cinematographer in the world who has literally been shooting 24 hours a day, 7 days a week continuously for more than 30 years.
Louie was recognized as one of the top 70 Cinematographers for the On Film Kodak Salute Series. He is a member of the Directors Guild of America and the Academy of Motion Pictures Arts and Sciences.
Louie is credited by many with pioneering the contemporary stock footage industry by founding Energy Film Library, a global company with a network of 12 foreign offices, which was acquired by Getty Images in 1997. Motion picture clients of his cinematic artistry include Sex in the City, The Bourne Ultimatum, Die Hard 4, Syriana, Crash, Men in Black and classics such as American Beauty, Koyaanisqatsi and E.T. among others.
Louie went on to found BlackLight Films, a creative production company specializing in producing original theatrical feature, large format films, HD and TV programming.
In 2004, BlackLight Films completed production of the theatrical feature film, America's Heart &Soul, distributed theatrically by Walt Disney Pictures. In 2006, BlackLight Films completed a series of HD shorts, Louie Films, for the launch of Buena Vista Home Entertainment's Blu-Ray DVD releases. In 2007, the company produced a 1-hour special, Chasing the Light, which aired nationally on PBS.
Past projects include the 35mm film Seasons of the Vine for Disney's California Adventure Theme Park and a 26-half hour series, America!, for The Hallmark Channel.
Louie has won two Clio Awards for Best Environmental Broadcast Spot, an Emmy nomination for Best Cinematography for the Discovery Channel Special, Oceans of Air, and the Heartland Film Festival's Truly Moving Picture Award for Walt Disney Pictures' feature film release America's Heart & Soul.
Louie completed production on a feature length nature documentary, Wings of Life, to be theatrically released worldwide, under Walt Disney Pictures' new production banner, Disneynature. The film was released in France (March 2011) under the title Pollen and won the Roscar Award for Best Cinematography at the 2011 Wild Talk Africa Film Festival.
Louie spoke at the TED 2011 conference in Long Beach, CA and has been a regular presenter at the annual Bioneers Conference in San Francisco. Currently, Louie is in production with National Geographic to produce Hidden Worlds, a 3D Imax film.
Tuesday, November 29, 2011
Monday, November 28, 2011
From The New York Times
November 27, 2011, 10:28 am
The Obama Spending Non-Surge
Blogging
is a lot like teaching the same class year after year; you’re always
encountering the same arguments you’ve refuted in the past, and you want
to demand why they weren’t listening the last time.
Anyway, what I’m seeing in comments and reactions, once again, is the claim that Obama has presided over a vast expansion of government — a claim backed not by describing any specific programs, but by pointing to the share of federal spending in GDP. Indeed, federal spending rose from 19.6% of GDP in 2007 to 23.8% in 2010 (it was briefly 25 in 2009, but that was a number distorted by the financial bailouts). So there has been a roughly 4 points of GDP rise in the spending share. What’s that about?
Well, part of the answer is that the ratio is up because the denominator is down. According to CBO estimates, in fiscal 2010 the economy operated about 7 percent below potential. This means that even if what the government was doing hadn’t changed, the federal spending share of GDP would have risen by 1.4 percentage points.
Then, look inside the budget data (pdf), specifically at Table E-10. You’ll see a surge in spending on “income security”; that’s basically unemployment insurance, food stamps, and similar items. In other words, spending on safety-net programs is up because the economy is depressed, and more people are falling into the safety net.
You’ll also see a sharp rise in Medicaid; again, this is because the lousy economy has pushed more people into hardship, making them eligible for the program.
I’ve done a bit of number-crunching, and here’s my allocation of the sources of the rise in federal spending as a share of GDP:
So
a depressed economy plus safety net programs that have grown as a
result of a depressed economy are, overwhelmingly, the real story here.
What’s in that “other” category? Some of it is stimulus spending. Some of it is the leading wave of the baby boomers, who are starting to collect Social Security and enter Medicare. Some of it is rising health care costs.
What isn’t there, no way, nohow, is a massive expansion of government, which is a figment of the right wing’s imagination.
Anyway, what I’m seeing in comments and reactions, once again, is the claim that Obama has presided over a vast expansion of government — a claim backed not by describing any specific programs, but by pointing to the share of federal spending in GDP. Indeed, federal spending rose from 19.6% of GDP in 2007 to 23.8% in 2010 (it was briefly 25 in 2009, but that was a number distorted by the financial bailouts). So there has been a roughly 4 points of GDP rise in the spending share. What’s that about?
Well, part of the answer is that the ratio is up because the denominator is down. According to CBO estimates, in fiscal 2010 the economy operated about 7 percent below potential. This means that even if what the government was doing hadn’t changed, the federal spending share of GDP would have risen by 1.4 percentage points.
Then, look inside the budget data (pdf), specifically at Table E-10. You’ll see a surge in spending on “income security”; that’s basically unemployment insurance, food stamps, and similar items. In other words, spending on safety-net programs is up because the economy is depressed, and more people are falling into the safety net.
You’ll also see a sharp rise in Medicaid; again, this is because the lousy economy has pushed more people into hardship, making them eligible for the program.
I’ve done a bit of number-crunching, and here’s my allocation of the sources of the rise in federal spending as a share of GDP:
What’s in that “other” category? Some of it is stimulus spending. Some of it is the leading wave of the baby boomers, who are starting to collect Social Security and enter Medicare. Some of it is rising health care costs.
What isn’t there, no way, nohow, is a massive expansion of government, which is a figment of the right wing’s imagination.
From Advocates for Survivors of Torture and Trauma (ASTT)
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Sunday, November 27, 2011
From The Smirking Chimp
For good reason, there has been serious
hand-wringing over what to do about the ethical lapses of U.S. Supreme
Court Justice Clarence Thomas. The fact that Supreme Court justices are
exempt from the code of ethical conduct which applies to the rest of the
federal judiciary; the problem of bringing a sitting justice before the
Congress to question the conduct of a constitutional co-equal; the
reality that justices cannot easily defend themselves against news media
charges; the defiant, in-your-face posture of Thomas—the list goes on
but it need not. There is clear precedent for how to deal with the
justice. Thomas could be forced off the bench.
As the associate deputy attorney general in President Richard M. Nixon's Department of Justice, I was there when Assistant Attorney General William Rehnquist outlined how to remove a Supreme Court justice who had engaged in conduct not quite as troublesome as that of Thomas. Rehnquist, of course, would later become chief justice of the United States. His memorandum providing the process for the Department of Justice to proceed against then Supreme Court Justice Abe Fortas remains solid precedent and the way to deal with Clarence Thomas. But before looking at the solution, I should explain the problem.
» article continues...
As the associate deputy attorney general in President Richard M. Nixon's Department of Justice, I was there when Assistant Attorney General William Rehnquist outlined how to remove a Supreme Court justice who had engaged in conduct not quite as troublesome as that of Thomas. Rehnquist, of course, would later become chief justice of the United States. His memorandum providing the process for the Department of Justice to proceed against then Supreme Court Justice Abe Fortas remains solid precedent and the way to deal with Clarence Thomas. But before looking at the solution, I should explain the problem.
Friday, November 25, 2011
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