Tuesday, January 7, 2014

A Visit with Rickey and Carol Beene


by Dee Newman

On my way back from spending several days at the Mountain House in the Smokys, I stopped in Oak Ridge to spend a night with my good friends Nancy and Bob Highfill. Since his retirement Bob has become an accomplished potter, mentored by Bill Capshaw, the award winning ceramic artist, instructor and Pottery Studio Chair of the Oak Ridge Art Center.

During my visit Bob began telling me about Rickey Beene, the President of the Board of Directors of the Oak Ridge Art Center.


Rickey and his wife Carol are also members (along with Bob and Nancy) of the Oak Ridge Unitarian Universalist Church. Last March one of the church’s Sunday services combined and featured the works of some jazz musicians with an exhibit of Rickey’s paintings. In addition, Rickey also shared a number of his poems, which Bob described as exceptional. 

On Friday morning after having breakfast (some of Bob’s delicious oatmeal with fresh fruit) we gave Rickey and Carol a call and asked if we could come for a visit. Rickey was in his Pouting House Studio painting and told us to come on up.


Petros is only 12 miles northwest of Oak Ridge. It is an unincorporated community with a population of less than 600 people. Historically, it is an old coal-mining town and the home of the now closed Brushy Mountain State Penitentiary that once held James Earl Ray. Some of the town and coal mining scenes from the movie October Sky were filmed there. There is talk that the old prison may one day become a distillery.


Rickey and Carol live on 27 acres at the base of the eastern slope of 3,324 foot peak of Frozen Head State Park and Natural Area in the Cumberland Mountains. Rickey designed and built both the house where he and Carol live and his studio. When they met back in the 1970s, Carol was a Catholic nun from Massachusetts. She had come down to Morgan County to live in the tiny community of Deer Lodge and work with the Episcopal Dioceses of East Tennessee in their outreach program for children in the area. The following summer she came back to work for the Morgan/Scott Development Program to work with emotional disturbed children.



 A language arts teacher by training with a Masters Degree in English from East Tennessee State University, Rickey is a self-taught painter and has over the last decade painted predominantly the portraits of the folks with whom he has lived and worked during his lifetime in Petros. His inspiring and colorful portraits are primarily done with acrylics on gessoed hardboard panels.


Both his painting and his poetry are inspired by his unique and exceptional vision of the people of his hometown and of the reality they share together. Each portrait according to Rickey is an attempt to know our universal, collective conscious – to find, reveal and celebrate the beauty, the joys, the victories, the over-whelming losses and heart-breaking defeats that we all share in common as human beings on this planet.


While we were sitting around the wood burning stove in his studio talking about a sundry of topics, I noticed Rickey scribbling on a piece of paper. It was a poem he had recently written:

             A Hiatus of Doubt

A slice of snow floats slowly down.
Momentarily I fall
and falling find something of my old self,
the one that hides in the passages of time.
I am an old man
living through the darkness of memories.
They cloud my skies.
They creep into my nighttime dreams.
They enter into the part that is always
close to my eyes.
Even old, how can one not want to live
if they find something of love daily?
Come light, come sun through the breaking clouds,
wake that part of me not locked in flesh.
I feel that river of creation
caressing me again.
Paint is the whisper in my mind.
My hands are already moving
toward the heavy wet branches.
Peace again, at last.
Please, let more again in this waterless river.

 After spending an hour or so at his studio, we all went over to their house for some tea, where Rickey shared several more of his exceptional poems. As I told him, he may be even a better poet than he is a painter. And, that is saying a great deal, since he is an extraordinary and inspiring artist.


For me, our visit with Rickey and Carol was an incomparable experience. And, will remain so, I’m sure, throughout this New Year.


If you would like to know more about Rickey and his artwork click on Pouting House Studio Weblog.



Sunday, January 5, 2014

NYC Mayor Bill de Blasio's Inaugural Address

From OneGreenPlanet: 8 Reasons Everyone Hates Vegans

1. They credit their vegan diet for their health, wellness and energy.

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  Who needs to drink green juices and smoothies to be healthy? Can’t they just stick to lifting weights and enjoy steak for dinner like normal people? Hippies.

2. They love animals. Ugh.

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Isn’t that sickening? Caring for animals and fighting for their rights?! I mean, come on. How can they care more about cows than Louis Vuitton!? Damn those morals!

3. Some of them even look cute as a button!

  Look at them, eating greens, blending smoothies, shooting arrows like elves. Do they want to live forever? It’s so unfair.

4. They care about the Earth—those jerks!

Cow-grazing-001
Reducing greenhouse gas emissions, massive water and air pollution, soil erosion and contamination…who cares about this mumbo jumbo? Oh, wait, vegans!

5. They mislead you with their food…wicked, tricksy, false!

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  They make delicious cupcakes, cookies, muffins and a whole bunch of stuff without any butter, cream, cheese, milk….those cheats! Even Paula Deen hates them.

6. They are so demanding….why can’t they just enjoy bacon like normal people!

The 10 Step Guide to Dining Out Vegan…Like a Boss!
  Vegans create pandemonium at restaurants just because they don’t want to eat greasy, high-cholesterol, heart-clogging food. They want this and that and don’t put that on my food, could I have extra this? Geez vegans, just shut up and sit down!

 7. Such elitists….spending all their money on veggies!

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  They sit on their high horse and judge others. Why don’t they just advocate for change in food subsidies so vegetables are less expensive? Oh, they do do that? Well, they repulse me. 

8.  Worst of all…science and medicine supports them!

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  Ugh, Vegans.


* By-the-way, I'm not a vegan for any of the above reasons. I'm a vegan because I'm a moral creature. I have the ability to choose one action over another. The fundamental principle of morality is the Golden Rule: Do unto others as you would have them do unto you. If I do not want other sentient beings to disregard my needs and interests to fulfill their wanton desires, then I should not disregard their needs and interests to fulfill my wanton desires. It is that simple. Morality cannot be arbitrary. 

The Golden Rule does not demand that one be a hero, to give up ones needs and interest for the needs and interests of others. But, it does require one to give up their wanton desires for the needs and interests of others. If eating other animals was necessary in order to maintain ones health, then that would be interests against interest. But, it is not necessary. In fact, the opposite is true. Eating other animals is detrimental to maintaining optimal health. I am living proof. I have been a vegan for over 40 years.
 
 

Saturday, January 4, 2014

New Years at the Mountain House

An Early Ink Wash Portrait of Jill Lindner


From Daily Kos: My Insurance Got Religon

http://www.dailykos.com/story/2014/01/02/1263739/-My-insurance-got-religion?detail=email

Remembering Phil Everly




I first saw the Everly Brothers with their long hair and ducktails when they were young teenagers in the early-1950s on Cas Walker’s morning “Farm and Home Hour” television show on WROL out of Knoxville, Tennessee, which always began with the theme song:
Pickup your morning paper when it hits the street
Cas Walker’s prices just can’t be beat
Buy that Blue Band Coffee and you’ll wants some more
Do your grocery shopping at the Cas Walker Store
The Everly Family had just moved to Knoxville from Shenandoah, Iowa. In the 1940s their father, Ike Everly (a pioneer of the "thumb picking" style of guitar playing) had a radio show back in Shenandoah with his wife Margaret and his two sons, Don and Phil.

During the 1930s, 40s and 50s Knoxville was one of country music’s proving grounds for country singers. By the time the Everly Family arrived in the city, Cas Walker's "Farm and Home Hour" show on WROL radio and the "Mid-day Merry-Go-Round" on WNOX radio had already launched the careers of Roy Acuff, the Carter Sisters, Chet Atkins, Homer and Jethro and Kitty Wells, sending them all on to the Ryman Auditorium and WSM’s Grand Ole Opry in Nashville.

Though the “Ole Coon Hunter” (Cas Walker) failed to recognize the Everly Brothers’ potential, telling them – “I can't have that jumpin'-up-and-down music on my show—it won't sell no groceries” – Chet Atkins did. Though being forced to leave WROL at the time was a tremendous setback for the entire family, eventually it proved to be a blessing. Their luck began to change when a royalty check arrived in the mail from Chet Atkins for a couple thousand dollars (a lot of money back in 1955).

A year earlier the brothers had gone to Nashville to sing and pitch some songs to Chet Atkins who they had met at the Tennessee Valley State Fair in Knoxville. Atkins was encouraging, telling them that he would publish the songs if he could get someone to record them. Atkins was successful. Kitty Wells, the number one female country star at the time, recorded a song that Don had written – "Thou Shalt Not Steal." The song made the Country Top Ten that year.

Though Atkins was affiliated with RCA Records, he helped the Everly Brothers to secure a record deal with Columbia Records in 1956. Unfortunately, their first and only single for Columbia, "Keep A' Lovin' Me," was a failure, and they were soon dropped from the label.

Atkins then introduced the Brothers to Wesley Rose of Acuff-Rose music publishers. Rose was so impressed with the Brothers’ songwriting ability, he told them that if they signed with Acuff-Rose as songwriters, he would get them a record deal. In 1957 Rose introduced them to Archie Bleyer of Cadence Records.

The Everly Brothers recorded their first single for Cadence Records in February 1957. The record, "Bye Bye Love," reached No. 2 on the pop charts behind Elvis Presley's "Let Me Be Your Teddy Bear", making it to No. 1 on the Country and No. 5 on the R&B charts. The song, written by the husband and wife team – Felice and Boudleaux Bryant, sold over a million records, becoming the Everly Brothers' first gold recording.

They continued to record on the Cadence label for three years and then signed with Warner Brothers Records in 1960, for a reported 10-year, multi-million dollar record deal. Don and Phil wrote their first hit with Warner Brothers in 1960, “Cathy’s Clown”. It sold eight million copies, making it their biggest-selling record.

The rest is history. Their guitar picking and close harmony singing influence numerous other rock groups of the 1960s, including the Beatles, the Beach Boys and Simon and Garfunkel. The Everly Brothers’ unique harmony singing also influenced the Hollies, the Bee Gees, as well as other rock’n’roll groups.

Phil Everly died yesterday at the age of 74. He had suffered from chronic obstructive pulmonary disease, caused by a lifetime of smoking. At the time of his death Phil owned the Everly Music Company, a musical instrument accessories company, producing products designed for guitar and bass.